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novicius



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Hello all  :hi:, although I have been a member here for over two years ( incl. the Ol` forum ) , this is my first post , so , for those photogs. who have several lenses , is there a particular lens that You reach for , even when it has been idling on a shelf  , but somehow You keep going back to it , if Ye do , is it a zoom or fixed focal , and why do Ye keep going back to it ?
Vic

Robert



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Welcome Vic, I have noticed your login.

Nice to see you posting.

My lenses are very much tools, it depends entirely on what I am doing as to which lens I use. Currently my most used lens is my 18-105mm VR, DX lens. My only VR and AFS lens. I am finding the 18-105 mm range is perfect for snapshots and family photography.

Much of my photography is done with my 55mm f2.8 MF Micro Nikkor, because one of my main photographic interests is flowers and I find that is the best tool for the job. A wide aperture to give a nice bokeh, manual focus, so I can control the exact part of the flower to be sharp, and what I consider to be a good perspective for a close image of a flower. Wide lenses accentuate the depth of the flower, longer lenses give too great a working distance.

For sports I reach for my 300mm f2.8 MF Nikkor. I use it for motor and motorcycle racing and fieldsports like football and Rugby.

An example from the D3100 with it's 18-105 Nikkor, The boys larking on their way to school one snowy morning recently.

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TomOC



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Hi Vic and welcome to the group.

I think we all have a go-to lens (that changes by the season :-)

Currently mine is the 24-70 VR and I like it on both APC and FF bodies. It's expensive but it really performs - downside is that it's heavy and not one to walkaround with... still like the good old 50mm 1.4 for that

tom

blackfox



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mine virtually never comes off the camera ,its a 300mm f4 afs ,extremely versatile i use it with a 1.4 tc and a 1.7tc and that gives me 300mm,420mm,500mm hand holdable combos the lens has a close focus (full) switch as well and when fitted with the 1.7 tc this still retains the same close focus range ,so in effect it gives a hand holdable pseudo macro lens for summer butterflies and insects .as seen below a 500mm shot

and btw its also a very sharp lens with none of the hangups you get with image stabilised lenses.



the flasher !! by blackfox wildlife & nature imaging, on Flickr

Eric



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Welcome back Vic.

Some time ago when Lightroom first came out, I used the 'sort by focal length' option and was surprised to find that 80% of my photographs (I had 3-4000 loaded at the time) were within the range 35mm - 80mm. And 70% of those shots were taken with the same TWO lenses.

The 24-70 FX AFS and the 18-105mm DX AFS.

The former with the D3, the latter with my 'hobby' camera body of the time. (eg D90, D300,).

I dont know if my photography was controlled by the attached lens ...or the favourite lens was always attached and therefore controlled the focal length? Not sure which way round it was.

But it does seem as though, despite having a good range of lenses fron 14mm - 500mm, I settle for one lens (on each body) for most of my shooting.

Of course, as Robert says, if you have a special project eg wildlife, sports, macro you need to use the best lens you have for the job.

richw



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My favourite type of photograph is a portrait, of my collection my favourite is my 70-200mm f2.8.

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jk



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Welcome Vic to the forum.
Glad that you are with us and posting!

In answer to your question the lens I have that sees most use is dependent on the activity I am photographing but for a do almost everything lens it has to be my Nikon 28-105mm f3.5-4.5 AFD lens. It even has a macro switch on it that allows me to get in a little closer on some occasions when I need it.  I f I am shooting in darker condition like for my flamenco photography I use my 24-70mm f2.8 AFS and 70-200mm f2.8 AFS lenses.
 

novicius



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Thank you All for the hearthy welcome  :bowing: and the Great responses.

Robert `s photo is imho a gredit to the H C Bresson style , what a great grab , especially considering yer usual photographic interests , sports photogs have quick reflexes and fast trigger fingers , yet , H B C shooting is a different ballgame .

Tom , that  24 - 70  has been on my need/want list for a long time , but alas , that list is rather long  , but one day ...

Blackfox , that spider looks scary , the concept of using a long lens for macro is not new to me , as I`ve found it keeps me nicely out of harms way , what is new t`me is the amazing sharpness , I wish I had your steady hands .

Eric , as I`ve read most of your postings , I realise what an incredible range of lenses you have , yet , that 24 - 70 covers a lot of ground , I rember when only few Mfgrs. had a decent 24mm  in their line-up , they`ve come a long way since , and ye also have LR , as I ( LR 3 ) , photoshop scares the pants of me .

RichW , that`s a great approach of portraiture , way cool.

JK , I can see the need of that 24 - 70 for flamenco , last time I was in Spain ( many moons ago ), I had the man. focus 28 - 45 f4.5 , and I could n`t back - up enough , since then , overhere a Spanish guy opened a bar/res., and had a flamenco evening , I had the 20 - 35 2.8 afd , but even so , I find flamenco is difficult to shoot ( I botched it up )

Only two of my lenses have chips built in , the 20 - 35 f2.8 afd and the 35 - 70 2.8 afd ( fantastic lenses  , in every respect ) , all the others are man. focus , yet , I keep on reaching for the 55 mm f 1.2 , it`s Not my " best " lens , it`s wobbly , when  focusing left/right or vice versa , the image moves slightly , a bit left or right , yet , without deterioration of quality ( not that I notice )  so why that lens , is it `cause the zooms are hefty ? ..is it `cause it`s comfy ?  ,.. I`m not sure  , and yes , different tasks require different lenses , but that`s the one I keep reaching for , maybe  I`m just an oddball  :rudi:










jk



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I have tried to get a 55mm f1.2 for many years but it is MF only and I get lazy in my older age!

In reality I think that while the High ISO capabilities of cameras get better all the time which somewhat reduces the need for the lens but I love the tiny depth of field of the lens. I have only had the chance to use one in a studio. I was hoping that Nikon might make an AF version of the lens but I wont hold my breath on this one.

Robert



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The whole attraction of the 55 f1.2 is the fact that it's MF; if it were AF most of the point would be lost. The narrow DoF allows the user to focus were he or she wants the emphasis, AF focus points would make that decision and wouldn't take account of artistic parameters.

This is why I love my 50 f1.4, It's not a 1.2 but the best I can manage, it may not be the sharpest knife in the box but that isn't my main criteria.

In my opinion the high ISO available in modern bodies does not make fast lenses obsolete from an artistic point of view, what Hi ISO does is help to solve fast subject/low light difficulties.

jk



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Robert wrote: The whole attraction of the 55 f1.2 is the fact that it's MF; if it were AF most of the point would be lost. The narrow DoF allows the user to focus were he or she wants the emphasis, AF focus points would make that decision and wouldn't take account of artistic parameters.

This is why I love my 50 f1.4, It's not a 1.2 but the best I can manage, it may not be the sharpest knife in the box but that isn't my main criteria.

In my opinion the high ISO available in modern bodies does not make fast lenses obsolete from an artistic point of view, what Hi ISO does is help to solve fast subject/low light difficulties.
I agree about the new cameras not making the fast lenses obsolete but they reduce the need unless you want the limited DOF.   At that point Hi ISO can become a nuisance as in sunny conditions 1/8000 is still not fast enough to expose correctly at ISO 200 and f1.2.

Squarerigger



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Welcome Vic.

I have a Nikon 24-70mm attached to my camera at all times.

Looking forward to your contributions.

novicius



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Ah yes , contributions ,.. li`ll problem there , for tho` it`s nice to shoot 500 pics on one film , the folder system is a real pita , I spend several hours finding a pic in one folder , looked in another folder , then could n`t find the first pic., something t` do with me forgetting t` name folders , folders in camera and in LR 3 and in photodesk , I need to organise things , one way or another , so far it`s a real headache  :banghead:

jk



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Vic, you need to keyword your images as then you can just search by keywords across all your images.

Eric



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novicius wrote:
Ah yes , contributions ,.. li`ll problem there , for tho` it`s nice to shoot 500 pics on one film , the folder system is a real pita , I spend several hours finding a pic in one folder , looked in another folder , then could n`t find the first pic., something t` do with me forgetting t` name folders , folders in camera and in LR 3 and in photodesk , I need to organise things , one way or another , so far it`s a real headache  :banghead:

You are not alone with cataloguing headaches. Most of my clients have agreed with a filenaming system so I can quickly retrieve selected images for use in artwork. But one customer had refused to adopt a simple system. He seriously wanted me to name his images like this...

Stainless steel-p325-for-cauliflower-florets-tomatoes-and-lettuce.jpg

I avoided doing it. But it presented another problem as after the camera has been round the 10,000 a few times ...telling me he wants DSC3013 means I have to ask...which year?
:rofl:

I have to say I struggle with doing the necessary' housekeeping ' like naming and filing ....I find it a bit boring.

Robert



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I have a very simple and effective file structure.

Easy to maintain and very easy to find particular images.

I don't allow Lightroom to ingest my images so I can always access the files, I put edits from Photoshop in an edits folder within the original folder.

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Squarerigger



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I am guilty of not keeping my files as sorted as they should be.

The one thing I have found over the years is that unless it is a system I figure out for myself and fully understand the logic or ill logic of, I will never ever be consistent in filing my photos. :-(

Robert



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Well mine was derived from a slightly complex formula which I think Doug brought to our attention which was a number derived from the date, unless you put the date yy-mm-dd it won't sort chronologically, I find it fairly easy to read it backwards, but found deciphering Doug's code confusing, so that is why I adopted my method.

I have a fair idea when things happened, so I just have to go to the appropriate year and scroll down to find the event.

On the other hand if I want all my motorcycle photo's or all the pictures with water in them I use a keyword. In my botanic library I have all the images named with the botanic name so I can find all of a particular species.

I am about a month into keywording now and probably need to spend another couple of weeks before I feel I have reasonable consistency. Is it worth it? Probably not but if I can't find a particular image, there is no point in having it, nor having taken the image in the first place. So, while it isn't worth it, it has to be done. Bit like washing up, it's one of those waste of time chores that has to be done.

novicius



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Yes ,incorporating the date , `fcoz ,.. I`m also having trouble with importing from " photo desk " to LR 3 , I`m thinkin` about investing in " LR 4 " , would it be worth it ? ..what You reckon ?

richw



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novicius wrote:
Yes ,incorporating the date , `fcoz ,.. I`m also having trouble with importing from " photo desk " to LR 3 , I`m thinkin` about investing in " LR 4 " , would it be worth it ? ..what You reckon ?
I much prefer the editing in Lightroom 4, but the cataloging didn't change much. Main reasons for upgrade would be new features such as books and the new mapping capabilities.

Robert



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I am planning to update from v3.6 to v4.x quite soon. I did download v4 when it was first rolled out but didn't upgrade.

I find the Lightroom GPS Mapping a compelling feature. Although my images are usually in descriptive folders, it would also be useful to be able to go to the map and simply click on the location to access images taken at a particular place perhaps on different occasions. My memory is not as good as it was, I want to nail stuff while I can still remember where it was taken.

While I had Lr v4 demo I did use the mapping feature quite a bit and found it very useful but our needs obviously vary.

Recently I have been using Lr more to process images and am getting more used to it. I really miss the levels feature as it is implemented in Photoshop, it's so simple, in Lr to me it's so messy and non intuitive I still haven't figured how to use levels to get the results I get in Ps so easily, despite Rich showing me how a while back. Rich, do you know a good video or tutorial on the Lr levels feature? I just can't get it to do what I want, in Lr it seems to be split into sections which is a nuisance. I want to be able to spread the entire existing image data across the usable range, not adjust sections of data as seems to be the case in Lr. To me Levels is a very quick and easy way to set the black and white points. I would use Curves to adjust individual sections of the image.

As for importing your images from Photo Plus, I don't know that software, I guess it's PC, I don't know much outside of the Mac world. All that Lightroom needs is your images to be in a folder structure within one folder, which I call Pictures. I don't think it matters on a PC where the Pictures folder is, even on an external drive will do.

All you have to do is point Lightroom to your dedicated Pictures folder and import. I select 'Add' images, which leaves the images in their folders so you can access them. I select 'Standard' preview and the box 'don't import suspected duplicates' ticked (unless I need them of course). Then import, sit back and have a coffee or two.

If Photo Plus has ingested the images like iPhoto does, then you will need to export them from the Photo Plus library at maximum resolution and as TIFF's for best quality. I avoid JPEG except as a final export format to display on my computer or share via the web. There is a loss of image quality with JPEG with every save.

If you use NEF's you really need to locate the original NEF files and import them or you won't be able to apply the same level of control if you need to adjust an image.

Robert



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I have stared a new topic on importing images to Lightroom:

http://nikondslr.uk/view_topic.php?id=597&forum_id=20

While it's nice to wander I think this deserves it's own topic.

jk



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Robert wrote: I am planning to update from v3.6 to v4.x quite soon. I did download v4 when it was first rolled out but didn't upgrade.

I find the Lightroom GPS Mapping a compelling feature.
The GPS functionality doesn't work as well as in v3.x as it used to go out to Google Earth.  Now it does its own thing and IMHO doesnt work as well.

novicius



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Robert Thanks , I am glad that Y` have decided t` put this up , I`m convinced this will help many of us , maybe some one can chime in related to PC ( that`s what I have ) I think that  digital developer software , growing/changing all the time , requires bright heads t` come out and guide mere mortals like m`self:thumbsup:

novicius



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Seems I can n`t reply on that thread

Robert



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novicius wrote:
Seems I can n`t reply on that thread
Seems you got there in the end? (From the times of your posts)

novicius



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Does that mean I qualify as " Goofball " nr. 1 ?? :devil:


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